Trapp

Dude, this is fucking impressive! How did you manage to pull this off??

This is the first time I'm ever using H5 Objects like this. Any tips before I start?

Jesus Christ, these look AMAZING!! So much variety too!

"Omae wa mou shindeiru..."

Glad you liked the Pokemon reference! Daniela to me is like an Eevee. So much potential and can literally evolve into anything she wants. Also yes, Rachel is definitely not just going to stand by and do nothing. That's what friends are for! Yeeeeeep, fitness MILFs are an absolute pornographic treat. To be fair, I based Mina off of @erikku90's Orc Queen and basically humanized her and turned her into the mom of one of BTM Babes' girls. See if you can guess which girl it is!

At this point, CNC Baby is going to become "The Sung-yeon Show"! I cannot begin to understand how EASY it is to write for him! His self-deprecating humor, perceived inappropriateness and just how easygoing he is makes him a champ. Also, a proud geek, which gives him +100 Chad points. I also want to point out that I originally had this plot for Rachel to try and win over Max, but I think you can see where this one is going. Rachel is one of my favorite girls and I do want to emphasize her chemistry with the other characters as well as the issues she's dealt with because of her sex appeal. In the topic of DOF, how can I not use it?? It is tricky to work with at times, yes, but the end result is spectacular. Also, @Smoke's People H5 Objects are a GODSEND to fill a scene up. I wish I could both exploit and add models to the Crowd Generator, that would be SICK.

Oh man, I don't even know how to follow up my individual stories at times LMAO! I rely heavily on what I already have, which isn't much, but I feel like H5 Rooms and Objects come A LONG WAY on getting that visual flair there. I too would like to do more in terms of fantasy stuff, but the idea I have is a bit of a reverse Isekai, in which a fantasy character comes to our world through a videogame, so that should be interesting!

Okay, so I mentioned that I wanted to take a break from making content on a blog entry or something. The funny thing about content creation is that you never know when inspiration is coming. So, I started taking screenshots for the past few days: A few for Gravure Love, and a few more for CNC Baby. Here's a preview of what I came up with for the latter. I liked the banter here so much that I decided to make a preview for club members only. Take note that I don't plan on working intensely on this to have a release date out soon and that plot elements, while being thought of, are still subject to change. For now, just enjoy the following pages.

Ahh yes, world building. I can finally sit the fuck down and throw in my two cents about this. For my TrappVerse, I want to keep things as simple as I can. My main focus in comics is in two places: Los Angeles, California and Tokyo, Japan. That's where most of my stories take place out of convenience and availability of assets. Some places will definitely be recycled for certain visuals, but that's pretty much where I develop my characters. For Gravure Love, I try and keep things as simple as I can. There is not a lot of lore needed for that because of the nature of the story, which at its core, is a Harem story like the ones in Anime. But all my characters have connections with each other. And here's where a Spoiler alert is at hand. Gravure Love's lead male, Hikaru Ichinose, was born Hikaru Shinoda; a bastard child of my universe's Shinoda clan of Yakuza (a different version of which is developed by @Oz70NYC in his upcoming Magnum Opus series). He was trained since childhood to become a killing machine, but without the privilege of being "part of the family" as his conception and birth destroyed a potential alliance with another powerful Yakuza clan with which my Shinodas are now at war with. At age 15, he failed an assassination attempt against the daughter of a media tycoon... That girl being Marina Nonaka, my female lead for this. He joined the JSDF by impersonating a soldier who went MIA and was discovered and exiled from the country, travelling to Brazil where he joined a private military company called Maverick Security Consulting (yes, Konami should probably sue me...) and met Sabrina Sotelo, surrogate sister to Nina Sotelo. During his last year at Maverick, he returned incognito to Japan to aid an old friend in a villa where people from the Shinoda clan were trying to extort the population for their own ends, saving the life of Negi Haruno, who in turn became inspired to learn martial arts in order to meet her savior and face him in combat some day. They all came together with Emi Akatsuki and Sayaka Sugimoto, the faces of Sigma Idol Agency, led by Cynthia Hamilton and financed by Aoi Sugimoto, who knew about Hikaru's past due to her contacts and paved the way for him to become hired as trainer and chief of security for the agency. This now connects to all my other stories, most of which are standalone, or "oneshots" as I like to call them borrowing from Japanese manga. Aoi Sugimoto is also a benefactor of Marco Torres, or "Trapp" as he goes by, who owns Black Trapper Media and its adult film production BTM Babes, with talents such as Julie Getgood and Katie McKinnon, a graduate of Berkeley University where Daniela Olivares and friends study. Quoting the show "Dark", everything is connected. While my version of Earth is much closer to real life (as well as having tons of actual real-life references in my works), there is such a thing as the paranormal and fantasy creatures. Emi Akatsuki herself is a half-succubus with powers befitting her status as a demon, and Tsuyu Shinoda from The Goddess's Journal used to be my universe's version of Hone-Onna (the skullfaced woman), a popular yokai in Japan. Also worth mentioning is that Maverick has access to technology like muscle suits, high tech weapons and many other technological and scientific resources that gives them an edge over most armies in my world; so in essence, enhanced humans exist in the TrappVerse as well. Like you all mentioned, world building helps establish the setting of your creative universe, and while the possibilities are indeed endless, you need to watch yourself and be mindful of the limitations of the media you're working with. I'm neither an artist nor a character designer, and asset availability or lackthereof for TK17 does shape a lot of how my stories are told. Maverick, for example, has a proper lore and story delving into the past of Hikaru Ichinose, but a lot of those visuals are practically impossible to achieve with what's currently available. Remains to be seen whether that story will ever come out in comic book format or how long it will be, due to the depth of the story I've written so far.

Jesus Christ, she looks GORGEOUS!! Dat baby face!

Whoa, is that Layla???